Offices
Looking for a team base? We have you covered with our variety of private office rooms and co-working spaces available for long term rent.
Situated close to the studios


Ground Floor
First Floor
Ground Floor
First Floor
Based at The Hive
Our community of creators in residence
Ace Ruele
Creature Bionics
Ace founded Creature Bionics in Feb 2020. It started as a practical effects company that developed creature rigs for performers to be able to imitate the skeleton of a specific creature for a character performance. Being able to provide his own rigs for a production eventually led to supplying other performers and production companies with his rigs and running workshops on how to use them. The company’s mission changed from being solely a practical effects business when Ace realised the lack of character development that was needed on various projects for the CG characters he was hired to play. Using his own initiative to assist and provide the development needed for the characters, created a better performance. It was clear that providing a service of character development was vastly more important to the industry than just practical effects.
Bob Clarke
Founder and CEO, MAMA Youth
Bob has been a professional editor for over twenty years, and personally funded the first two years of MAMA Youth Project’s operation.
Bob started his television career in 1982 as a Video Tape Operator for Humphries Video Services. He went on to join The Services Sound & Vision Corporation in 1987 where he cut his teeth as an editor on different types of programming including light entertainment, news and documentaries. Following BBC training, Bob became a freelance editor and worked at various facilities in Soho, before setting up his own- bcPost.
In 1996 Bob took this facility to the next level by purchasing his first Avid Media Composer, which attracted clients such as the BBC, Endemol, Ginger Productions and Tiger Aspect. Then, in September 2005, MAMA Productions funded an experiment and recruited young adults to make an entertainment show called ‘What’s Up’. This experiment proved so successful, it led to the formation of the MAMA Youth Project.
In 2008, Bob decided to put all future commissions through the MAMA Youth Project, using talented newcomers who had worked on ‘What’s Up’. This enterprise became very successful and turned over 45,000 in 3 months. However, due to the legal limitations of a charity earning income, Licklemor Productions had to be formed – which is now MAMA Youth Project’s commercial arm.
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